One of the most common issues in fiction writing—especially among new writers—is use of process language. This is when narration explains every action or thought a character goes through, which can slow the pace and pull readers out of the story. Learning to cut it out is a powerful tool for making writing leaner and more immersive. What is process language? Process language describes how  a character is doing something rather than showing the result or impact . It often read

Effective use of tension and suspense are the beating hearts of a compelling story. They keep readers turning pages, desperate to know what happens next. While the terms are often used together, they aren’t identical: tension  is the sense of unease or anticipation built throughout a scene or story, while suspense  is the emotional payoff—when readers know something is coming but must wait for it to arrive. Classic literature offers some of the finest examples of how to weave

Writers often face the delicate challenge of crafting stories that feel both surprising and inevitable. A well-timed twist or a big reveal in the final climax should shock the reader, not because it came from nowhere but because they realize—retrospectively—that it was always coming. This is the power of foreshadowing: the subtle placement of hints and clues that build suspense, reinforce themes, and prepare the reader for what lies ahead. Done well, foreshadowing isn't a tri

If you’re new to writing and dreaming of publishing your first book, but you’re staring at "The End" and wondering, now what? —this post is for you. 👋 As a freelance book editor and proofreader, I often work with writers who aren’t sure what the next steps are after getting words on the page. Here’s a practical Q&A to guide you through what comes next. Q: I've finished my first draft. What do I do? A: Step one: Celebrate!  Writing a first draft is a big accomplishment. Then:

In the past, I’ve talked about how freelance editors might charge for their services. There are many ways professionals might do this, but one way I discussed was using the sample edit to determine how many hours a project is estimated to take, applying an hourly rate, and then charging a full project fee. Time is, therefore, money, as the saying goes. Logically, it makes sense then that saving time will also save you money. Now, before anyone objects, let me explain what I m

In the editing world, time really is money. Editors have to strike a balance between setting a rate they can live on and completing work in a timely, methodical, and conscientious way, while keeping a good flow and not letting projects stagnate. So, the longer a manuscript takes to edit (no matter how long it is), the higher the cost for authors. Some editors may offer a flat or fixed rate, but many will adjust their per word, hourly, or project rates based on how long they p